The Ensemble of the Gregorian Chant Academy

Carolingia

Traditiones Custodes — Guardians of Tradition

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Coming Soon  ✦  Defend Us In Battle  ✦  The Debut Recording of Carolingia

The Professional Ensemble of the GCA

"We don't just teach the tradition. We embody it."
"We do not perform for applause. We sing for the Sanctuary."

CAROLINGIA is the professional ensemble of the Gregorian Chant Academy, directed by GCA founder Christopher Jasper. The ensemble is comprised of professional, independently contracted singers — each of them devout, practicing Catholics who bring not only vocal excellence but genuine faith to everything they sing.


Where the Academy is the learning center, Carolingia is the standard. The ensemble exists to demonstrate what prayerful, rigorously grounded sacred music actually sounds like — not as a theory, but as a living practice. Every performance decision, every interpretive choice, is rooted in authentic musical manuscripts, historical treatises, and the long tradition of chant as sung prayer.


Carolingia sings for real liturgies. It records for real homes, real families, real souls seeking to orient themselves toward God. The music is not entertainment. It is a weapon of spiritual beauty — and it is offered without apology.

What Carolingia Exists to Do

I The Aural Model To Provide the Standard

While the Academy teaches, Carolingia demonstrates. The ensemble serves as the definitive reference for cantors, priests, and scholars — a living, breathing embodiment of what chant sung as prayer truly sounds like. Every performance practice is rooted in authentic manuscript tradition, not personal invention. When we make an interpretive choice, we can account for it.

II Acoustic Artillery Sacred Music as Spiritual Weapon

We believe sacred music is not passive. It reclaims spaces. It drives back disorder. It reorients the human soul toward the Divine. Carolingia's recordings — including Defend Us In Battle — are not designed merely for listening. They are designed to restore the domestic church, to serve as formation tools, and to place authentic chant in the hands of every Catholic household.

III The Cultural Renaissance To Lead the Renewal

The Second Vatican Council, echoing Popes Pius X, XI, and XII, declared that sacred music is "a treasure of inestimable value, greater than that of any other art," and that Gregorian Chant "shall have principal place in the liturgy." Carolingia exists to hold that ground — and to be at the vanguard of the sacred music renaissance already underway in the Church.

Why Carolingia

The name CAROLINGIA refers to the Carolingian dynasty — the era of Charlemagne — when the Roman and Gallican chant traditions first merged to produce what we now call Gregorian chant, and when musical notation itself was born.


It was from this fusion that polyphony emerged, that the arts and architecture flourished, and that the intellectual culture of the West was rebuilt after centuries of fragmentation. The Carolingian era was, in the truest sense, the first Renaissance — predating that of the fourteenth century by five hundred years.


Our mission is to do the same today: to bridge the gap between historical scholarship and living liturgical practice, and to be at the forefront of a new flowering of sacred beauty in the Church.

8th–9th
Century
The Carolingian Synthesis

Under Charlemagne, Roman and Gallican chant traditions merge. Musical notation is invented. The first Renaissance begins.

Mid-1800s
to Present
The Solesmes Restoration

Dom Guéranger, Dom Pothier, Mocquereau, Cardine, Dom Jean Claire, and Dom Saulnier painstakingly restore the chant tradition from its manuscripts.

Today
The New Renaissance

Carolingia carries both inheritances — the Carolingian synthesis and the Solesmes restoration — into the present moment, for the living Church.

Meet the Singers of
Defend Us In Battle

Christopher Jasper

Christopher Jasper

Baritenor

Founder & Director — Gregorian Chant Academy

Trained under the late Dom Daniel Saulnier at the Abbey of Solesmes and at Le Centre d'études supérieures de la Renaissance (CESR) in Tours, France, Christopher has spent over twenty-five years studying, directing, and performing sacred chant and polyphony. He lived life as a Benedictine monk (postulant) at the Abbey of St. Benedict in Norcia, Italy (2014), founded the Gregorian Chant Academy in January 2021, and established the Carolingia ensemble in January 2026. As director of the GCA and Carolingia, he has become a professional acquaintance of Msgr. Alberto Turco and Prof. Giacomo Baroffio.

Joshua Carswell

Joshua Carswell

High Tenor

Joe Daly

Joe Daly

Bass

Former Member, Floriani Sacred Music

Robert Walsh

Robert Walsh

Baritenor

Joseph Walsh

Joseph Walsh

Tenor

Patrick Walsh

Patrick Walsh

Tenor

✦   The Debut Recording   ✦

Carolingia Defend Us In Battle

A collection of Gregorian chants for the domestic church — not background music, but a sacred arsenal. Designed to reclaim your home, reorient your soul, and place the full weight of the tradition in your hands.

Learn More
"Sacred Music is a treasure of inestimable value, greater than that of any other art. Gregorian Chant shall have principal place in the liturgy."
Second Vatican Council — Sacrosanctum Concilium
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Bring the Renaissance to Your Parish

Carolingia is available for liturgical performance, sacred concerts, and parish missions. If you are interested in bringing authentic Gregorian chant and sacred polyphony to your community, we would be honored to hear from you.

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